Guitar Tone Settings Database

Guitar Amp Settings Presets (and why you should ignore them) One reason why I created this guide is that I saw how many websites list different guitar amp settings or presets. You will see a lot of websites list guitar amp presets like: METAL: Drive 10, Bass 10, Mid 1, Treble 7, Vol 8. BLUES: Drive 3, Bass 2, Mid 5, Treble 2, Vol 6. How Guitar Pickups Effect Tone. Guitar pickups effect tone to the extent that some effects pedals now feature settings with a design for each type. Every pickup takes physical variations in acoustic sound energy and converts them to electric sound energy. The materials used and the way that they’re used makes the difference in tone.

I'm sure this has been done before - if so please point me in the right direction.But if we're OK with a rehash:Where do you guys put your volume and tone controls on your guitar?Do you run them wide open? Do you constantly mess with them?

Do you have settings for one amp, and different ones for another amp on the same guitar? What about different guitars with the same amp?I've seen more than a few times the phrase 'and it really cleans up when you roll back the volume knob'.Do you play rhythm with it down, and then bump it up for solos?I'm looking for tips on how to get the most out of those three little knobs on my Strat (so I can't do different volumes for two pups like a les paul middle position) and what people commonly use them for other than the - duh - changing the tone and volume, if you get my drift (by the way, I've done swells and used the tones for fake wah-wah effects, etc.)TIA,Steve. When going through a distortion unit, the guitar volume will actually adjust the input gain, rather than the output level.IOW, if you set the guitar knob at (say) 7, and set the distortion to give you a good crunch, then turning the guitar volume up will increase distortion (and sustain) - and turning it down will clean the sound up, without reducing volume (much).It can be tricky to set up right, because you never quite know how loud the band is going to be on stage, at various points. (I often find myself fiddling with my amp volume, or the FX unit, as well as the guitar.). You've had good advice already, but the biggest difference for me is from guitar to guitar - the rate of drop-off on the Vol pot from one guitar to the next can be very different. And the rate of drop-off at high volume can be very different from that at low volume. (The higher the vol pot is turned on the amp, the more range you'll get out of the vol pot on the guitar, and the 'drop-off' may well suddenly seem less drastic.)The other option is to use a volume pedal towards the end of the signal chain before the amp (usually delays and reverbs go after it, and everything else before, so you don't kill the tails on delayed/echo sounds).

Then you get to juggle with your feet as well as your hands. But being able to dance as well as play guitar is much cooler anyway. I use the volume pot a lot, the tone less so.Of course, I use the volume knob to control SPL from my rig.

However, it is mostly a tool for adjusting the amount of distortion I get. Sometimes I want to apply distortion without getting loud. I might do this with a stomp box, 'lead channel', or by cranking the amp.

I will then turn down the guitar's volume. For Single channel NMV amps, I'll use the volume control extensively. Elgato eyetv diversity dual tuner tv stick freeview for mac.

Low for clean, high for solos.Also, I'll use the guitar volume to adjust volume for the particular technique I'm using. Sometimes I'll play with a heavy right hand to get a choppy percussive effect. I may turn down the volume knob in order to control the volume.I typically have the amp a little louder than I need and a little brighter. I then keep the controls on the guitar down a little. This gives me headroom to adjust to taste during the show.As stated previously, the guitar has a lot to do with what makes sense to do. I install treble bypass caps on my volume pots. For blues or rock, on my 2V/2T thinline guitar, I use the Freddie King technique:-On the guitar set everything on 5 and the toggle switch with both pickups on.-Shape the frequency envelope and volume from the amplifier (usually a non master volume valve model).

Set the amp fairly overdriven, just a little hairy, and quite bright.-Check whether by switching to the bass pickup you lose some overdrive. If so lift the amp volume a little more to retain valve distortion.This will be the zero volume level and tone level on the guitar. From there you can go down -2 for clean rhythm strumming or +2 for distorted lead.While playing I fiddle with the guitar controls all the time. If the amp is already a bit overdriven with the guitar volume and tone at 5 then it won't change volume drastically from one point of the guitar volume control scale to the next.Sometimes, if I want an overdriven sound for comping I will lose the pick and strum with my thumb. For fills and hybrid picking I leave the volume at 5. Anytime the volume goes lower than five the tone goes higher and viseversa.This is provided I am not playing straight jazz, which would mean lesser volume and tone settings, or a cleaner zero sound on the amp.Advice: never set the volume or the tone controls of your guitar at 10 if you want to retain some personality to your sound.Regards. I don't know whether it is my ears or if others find the same but, I alway like the sounds of my Strats with the tone controls dialed down in the 6,7 or 8 range.I've tried just running them up on 10 and adjusting the amp but it never is the same.It seems to roll of just enough of the really harsh highs where as turning the amps high end down tends to muddy me up too much.This is with treble bleed circuits on my Strats.

Plus as stated above it gives you some room to adjust for whatever pickup or pickup combinations you are using or what ever the particular song is you are doing.Volume wise I run most all rhythm stuff in the same 6,7 or 8 range depending on how clean a sound I need and them have room for kicking it up a notch or two for solos etc.